a practice-based film that traces how memory is held, transmitted, and reactivated through the body, merging live biodata sonification and movement to reveal the intimate entanglement between human presence, environment, and inherited histories.
Project Overview
The Body Remembers is an interdisciplinary moving image work that investigates how the body holds and processes memory in relation to its surrounding environment. The project brings together audiovisual media, performance, and real-time sound generation to explore embodiment as both a sensory and relational experience.
Positioned between film and live practice, the work unfolds through a process-driven approach that prioritizes lived experience, responsiveness to space, and collective exploration.
Concept & Research
This project examines the body as a site where memory is not only stored but continuously activated through interaction with space, environment, and others. It considers how inherited experiences—cultural, emotional, and environmental—manifest through gesture, movement, and perception.
Drawing from interdisciplinary approaches across film, performance, and sound practices, the work engages questions of positionality, presence, and the relationship between internal states and external conditions.
My practice explores how the body functions as a site of memory, negotiation, and transformation. In The Body Remembers, I am interested in how sensory experience—sound, movement, and environment—can reveal forms of knowledge that are not easily articulated through language.
This work reflects an ongoing investigation into process, embodiment, and the ways in which personal and collective histories are carried and reactivated through the body.
Methodology
Sound
The project incorporates real-time biodata and environmental input translated into sound through Pasax Bumi, a custom modular synthesizer system. The sonic output is generated through live-synced data, meaning what is heard is directly produced in real time from shifting environmental and bodily inputs. This process transforms otherwise invisible data into an audible layer, creating an immediate and dynamic relationship between environment, body, and sound.
Performance
Movement is developed as a bodily response to space and natural surroundings. Performers engage in site-responsive actions, treating the body as both sensor and medium, allowing internal and external stimuli to shape gesture and rhythm.
FIlm/image
The visual component captures these interactions through an experimental, process-based approach to moving image. The film does not document performance as a fixed event, but rather traces evolving relationships between body, sound, and environment.
COllaboration
The project involves a cross-cultural research and creative process with participants from Indonesia University of Education (UPI Bandung). Through workshops and collective exploration, collaborators contribute to the development of movement, sound interaction, and conceptual inquiry.
This collaborative structure emphasizes shared authorship, process-driven experimentation, and intercultural dialogue.
Behind the scenes
